Japandi, Combining Scandinavian Minimalism and Japanese Aesthetics

When Scandinavian minimalism and the Japanese spirit combine, the result is a new trend which is carving out a place in interiors: Japandi.

Japandi is formed from the words Japan and Scandinavia, but it is above all a blend of the two movements which share various similarities, including minimalism. Thus, the neutral tones and sober design of Japanese interiors complement the clean lines and natural materials found in the Nordic style. This creates a warm environment, somewhere between the famous hygge so dear to Scandinavians, where cosy covers and candles adorn interiors, and wabi-sabi, the Japanese aesthetic concept which advocates imperfection through handmade objects and the effects of time. ‘The beauty of imperfect, impermanent and incomplete things is the beauty of modest, humble things and the beauty of unconventional things’, explains Leonard Koren in his book Wabi-sabi: For Artists, Designers, Poets & Philosophers.

The softness of pastel colours

The walls are painted in light, pastel colours. White, soft pink, sand and beige take pride of place, sometimes alongside a touch of taupe, brown or anthracite grey to create volume and contrasts. For furniture, interiors that follow the Japandi trend feature items made from natural materials, so dear to the figurehead of Scandinavian design Alvar Aalto, such as wood, especially oak, pine and acacia. The passage of time and the patina acquired, the ultimate form of refinement for lovers of wabi-sabi, only serve to make them more desirable.

Materials like leather or concrete can also be found in small doses in Japandi interiors, because it is undeniable that raw materials go particularly well with pastel tones and add a little touch of modernity.

Sober decoration

Clean-cut is the watchword in Japandi. Gone are the collections of trinkets and photo frames and rooms stuffed full of furniture. Minimalism is the rule, and interiors are emptied to leave only the essentials. A wooden screen, a futon bed or a wicker armchair add delicate decoration to the bedroom or living room, while ceramic vases and copper chandeliers provide the finishing touch.

Particular attention is paid to lighting, with a choice between refined but stylish lamps which remain true to Scandinavian influences, or lights made from wood and paper which plunge interiors into a half-light revered by the Japanese, as described by Junichiro Tanizaki in his work In Praise of Shadows.

Evanescent ferns, delicate Japanese maples and downy cotton flowers are at home here, but again in small doses. Another Japanese notion, Ma, can also be called upon here to evoke Japandi a little more: it does not see emptiness as a hollow, but rather as a link, a transition between things or objects.